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- <text id=93TT1327>
- <title>
- Apr. 05, 1993: Rock Me, I'm Irish
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Apr. 05, 1993 The Generation That Forgot God
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- MUSIC, Page 53
- Rock Me, I'm Irish
- </hdr>
- <body>
- <p>Influenced by Bono and Sinead, malt liquor and hip-hop, a new
- wave of Irish rockers has arrived
- </p>
- <p>By CHRISTOPHER JOHN FARLEY--With reporting by Lisa
- McLaughlin/New York
- </p>
- <p> In the cramped confines of Manhattan's Paddy Reilly's
- Music Bar, where signs such as PARKING FOR IRISH ONLY adorn the
- wall, patrons are lifting their glasses and raising their fists.
- On stage, the Irish-American rock band Black 47 is launching
- into a combustible version of the title song of their debut
- album Fire of Freedom. "Let's get this place moving," bellows
- lead singer Larry Kirwan. "These are songs of freedom,
- revolution."
- </p>
- <p> Finally. Rock 'n' roll that means something again. What's
- Duran Duran doing back on the charts anyway? Throw those pretty
- boys back into the junkyard of pop, along with disco, the
- lambada and the funky chicken. Here comes Irish rock, with
- Guinness on its breath and a union slogan on the tip of its
- tongue.
- </p>
- <p> In the '60s, Ireland gave the world Van Morrison; in the
- '70s, Bob Geldof and the Boomtown Rats; in the '80s, U2 and
- Sinead O'Connor. Now there's Black 47. The group's new album
- deals with such subjects as class warfare and potato famine, and
- their new video Funky Ceili is getting heavy play on MTV. Then
- there's the Irish band Hothouse Flowers, whose new album Songs
- from the Rain is both intelligent and evocative, full of the
- kind of arena-size emotions that are likely to seduce large
- audiences. And the new compilation Straight Outta Ireland--whose title plays off a hardcore rap album named Straight Outta
- Compton--showcases other promising Irish musicians.
- </p>
- <p> It's the support of successful Irish groups, directly and
- indirectly, that helped the new trend develop. Several of the
- groups on Straight Outta Ireland got career boosts by having
- singles released on labels sponsored by U2. "Bands like U2 and
- Sinead helped give people a sense of pride and potential," says
- Niall Stokes, editor of Hot Press, a Dublin music magazine. "U2
- is revered, but the Irish are cynical by nature. They see [U2
- lead singer] Bono and think, If that ridiculous idiot can do
- it, then so can I."
- </p>
- <p> This wave of Irish artists is also finding ideological
- inspiration in the antiEstablishment attitudes of rap and
- reggae; in addition, these musicians are reaching back into
- their country's heritage, using traditional instruments and
- singing about Irish political themes. Irish pop music experts
- point out that in the past few years the genre has diversified.
- There's House of Pain, an Irish-American rap group that features
- b-boy bravado and beer-soaked rhymes ("Coming with the style of
- a Celtic rebel/ Those that ain't on my level call me the
- blue-eyed devil"), and the Belfast grunge band Therapy?, whose
- debut album Nurse wallows in pounding metal rhythms and
- anarchistic attitude ("I don't need you/ I don't want you/ I
- don't want to feel anymore"). Earlier this year Stokes tried to
- put together an issue of Hot Press listing the hottest 100 Irish
- bands but found he couldn't do it; he had to expand the list to
- 140. Says Stokes: "There's not a chance that would have happened
- five years ago."
- </p>
- <p> In the U.S., clubs like Paddy Reilly's and Sin-e, also in
- New York, have helped break in many of these new acts, giving
- them a supportive place to develop an audience. At Sin-e (which
- means "that's it"), Sinead O'Connor has been seen helping clean
- up. Black 47, which combines traditional Irish instruments such
- as the uilleann pipe (a bellows-blown bagpipe) with reggae
- beats and straight-ahead rock, spent several years being heckled
- at pubs in the Bronx and Queens before settling in at Reilly's.
- The band's seasoning is apparent on their debut album; with
- assurance and maturity, the album covers such topics as
- interracial sex and James Connolly, a revolutionary union leader
- in Ireland executed by the British in 1916.
- </p>
- <p> It's the proletariat passion of Black 47's songs that make
- the group stand out. "So hold on to your rifles, boys, don't
- give up your dream/ Of a Republic for the workin' class,
- economic liberty," Kirwan sings on the cut James Connolly.
- There's morbid humor too, as on the semiautobio graphical song
- Maria's Wedding, about a drunk, frustrated suitor who crashes
- an ex-girlfriend's nuptials, promising the bride he'll quit his
- band and "even go out and get a job for you."
- </p>
- <p> Band leader Kirwan was born in Wexford, Ireland, and
- immigrated to the States in the '70s; he began to form Black 47
- in 1989. He writes all the group's songs, mixing in events from
- his life, including those early rejections from New York clubs.
- Says Kirwan: "By playing in those Irish places where we had to
- play for people who didn't care about us one way or another, or
- hated us, we couldn't help but get better."
- </p>
- <p> Straight Outta Ireland features Irish bands that are still
- on that road to recognition. One of the brightest artists on
- the album is Katell Keineg, a vocalist with a clear, pure
- voice. Another act with strong potential is the Chanting House,
- with their neo traditional flute and fiddle sound. These are
- the groups that will help link Ireland's musical past with its
- future. "We write the songs using the rhythms of jigs and reels,
- but at the same time they are unmistakably rock songs," says
- Chanting House lead singer Susan McKeown. "Traditional music is
- dear to me, but it's up to the new generation to see how it's
- carried down."
- </p>
- <p> With Black 47 leading the way, those traditions are in
- good hands.
- </p>
-
- </body>
- </article>
- </text>
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